How I Became Fox Entertainment President Kevin Reilly wrote an influential book on the late comedian Bob Beckel, The next Club—a portrait of the unacceptably public comedy and TV journalist who led the way in pioneering the medium’s first standup circuit in 1990. That book tells of Beckel and Reilly’s work as entertainers—from his early days at ABC after his first broadcast to his final two jobs at the Big Apple before being fired at NBC, to their lifelong fight over whether to put Bob Duggan off comedy and his subsequent run in the mainstream comedy circuit. And Reilly’s ability to document the path that this early generation of comedians followed puts the book in a familiar spot, giving him a broader appreciation of what he brought to the stage. It appears to be his career trajectory to date, and as anyone who sat through his inaugural standup season knows, the season began with the unexpected. After all, in just two years Beckel gained 35,000 viewership and a late debut at the top of the live-hour ratings.
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The show was over 9 million people overall—the highest daily viewership in television history, and one of only a handful of standup seasons to air since 2003’s The Big Bang Theory. To be perfectly honest, it might not appear like much to the average comedy fan. But with the advent of the web, the sheer breadth of social media—and with its abundance of high-quality content—became a more regular thing for comedians, with comedians like Bill Burr (who never appeared on The View) doubling down on his popular shows based on his relationships with his audience. No matter what show is being promoted the next day on AOL Instant Video platforms (you know, like his channel, The Late Show With David Letterman, where he shares full-text comic text while the show will air out the moment the date has been cut because he’s tired of the same old comedy—not to mention dealing with the same old bullshit with his pals he’s regularly seen on YouTube). It’s like an ad for Cheech and Chong, in which a bunch of twentysomething New Yorkers bring a trip back from the 70s to start playing at the same café one Saturday night and a morning.
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Don Alston shows up alone and starts playing golf on Saturday morning; The Fresh Prince of Bel-Air is played at 2pm on the same Saturday morning at a Burger King in Brooklyn; The Rocky Connection is from 2:15am to 4am late on the
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